In the midst of heated political debate, photographer and actor Julien Allouf presents a fresh perspective on European identity with his exhibition “Europia #2”, with the scenography of James Brandily. Having spent 4 years exploring the European capitals, Allouf captures something that journalistic and touristic photography could never offer; a Europe of the people. The exhibition provides a perambulation of the institutional elements and the intricately different atmospheres found across the continent.
Europe of Urgency
Alluding to the fall of the Berlin wall and end of the Cold-War period, Allouf states how what began as a promise of peace and communion between people, now is seeing a vast degeneration. He began conceptualising his work during the Greek financial crisis, which was only the start of the beginning; the Hungarian border barrier of 500 km, Brexit, rise of nationalist tendencies in France… A political climate, which overtly puts in question the European common identity. Allouf wanted to portray the materialisation of this mythical concept, in how it actually shows on the streets of European capitals.
His exhibition includes a collection of small pictures, which he invites visitors to take with them. “I like the idea of them ending up where ever, like on a fridge or something.” Finally, he is highly invested in engaging with the reflections of his visitors, and hearing what resonated with them about the exhibition. This acknowledges the individual sentiments Europe evokes in us, and thus bounces back the focus of his exhibition to the original object of his study; the European people.